Next release. This card pulls Andy's most recent music, artwork, and credit automatically once the feed is connected — no manual edit per project.
Music that lifts the story to another emotional level.
An award-winning composer who has immersed himself in film and television for over a decade — scoring landmark series for CNN, the BBC, ITV, Syfy, Nat Geo and Discovery, with a virtuosity and creative voice all his own.
I love working with Andy. He'll listen to the brief of course, but then offers wonderful compositions I don't even know my films need until I hear them.
Andy instinctively understands the nuances of story-telling. His music transforms films and lifts them to another emotional level.
Lorem ipsum dolor sit amet, consectetur adipiscing elit — sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat.
Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.
Next release. This card pulls Andy's most recent music, artwork, and credit automatically once the feed is connected — no manual edit per project.
Composer, all three seasons. The Kennedys (narr. Martin Sheen), The Bushes and The Windsors (with Rosamund Pike) — each rated #1 in its US timeslot.
Original score. The BBC's epic history of the Celtic world, scored for orchestra and voices.
Original score. “Unlocking the Universe” — Emmy-nominated.
Room for the next one. A new project drops straight into a slot like this — plate image, format line, year, and a sentence on your role. Nothing else on the page has to move.
Six slots, two rows. Fill what you have. Spare slots can be hidden instead of shown, or the grid can run to a third row as the list grows.
An award-winning composer, Andy has immersed himself in film and television for over a decade. A Guildhall School of Music graduate, he was spotted early by the BBC and now works across the world's leading broadcasters — CNN, BBC, ITV, Syfy, Nat Geo, Discovery and many others.
Painstakingly tailored to each project, no two of his scores use the same palette — as likely to draw on Desplat, Mogwai, Miles Davis, Radiohead, Tallis or Mahler. Whether conducting a string section or building cutting-edge electronic production, he keeps storytelling and character front and centre.
He embraces the eclectic — from playing guitar in the first UK performance of Duke Ellington's symphony “Black, Brown and Beige” at the Barbican, to creating an improvised zombie-film score with Nick McCarthy of Franz Ferdinand. That willingness to push the boundaries keeps him in demand as both a composer and a musician.